“NOW JUST A DARN MIN-NUT!!”, The True Essence of Bob Clampett’s “Beany and Cecil”

Our red-blooded "sea sur-pent" in puppet form (1949, above) and animated (1962, above right)

Our red-blooded "sea sur-pent" in puppet form (1949, above) and animated (1962, below right)

by Kevin Wollenweber

I was listening to the commentary tracks found on disk four of LOONEY TUNES GOLDEN COLLECTION, VOL. 3, especially John Kricfalusi’s enthusiastic talks
during some of his favorite Bob Clampett cartoons included in that program, like “GRUESOME TWOSOME” and “FALLING HARE”, noting the overall work of Bob
Clampett as a major influence for many facets of his own “REN & STIMPY”series and his ways of approaching characters that are not his own. It must
have, therefore, been a blast for John K. to have had a shot at directing and writing his own “BEANY & CECIL” series as his tribute to the man who was his artistic hero.

In the commentaries, John K. says that Bob Clampett was the king of mischief, of the double entendre, the gag that could mean something other than what you might have thought it meant as a kid viewing it for the first
time, and there are indeed times this is true. There was that gag that apparently was often cut from TV airings of “AN ITCH IN TIME” in which the dog gets bitten by the flea and  goes rolling from one corner of the room to the other, dragging his bitten posterior on the ground and yowling, pausing only for enough time to pant and say, as an aside to the audience, “Hey, I’d better cut this out. I might
get to like it!”

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